{"id":357,"date":"2022-04-21T09:31:07","date_gmt":"2022-04-21T09:31:07","guid":{"rendered":"http:\/\/demain-on-change-tout.local\/?page_id=357"},"modified":"2025-11-09T18:32:50","modified_gmt":"2025-11-09T17:32:50","slug":"homme-oiseau","status":"publish","type":"page","link":"https:\/\/demainonchangetout.fr\/en\/homme-oiseau\/","title":{"rendered":"L’Homme Oiseau"},"content":{"rendered":"
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The Man Bird and his Chimera Orchestra<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The Man Bird and his Chimera Orchestra<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Unfortunate hybrid between a man and an ostrich, this postman, traveling poet, does not belong to any world. His eyes look through ours, like a distant island, his feather questions its contours and its inhabitants.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Unfortunate hybrid between a man and an ostrich, this postman, traveling poet, does not belong to any world. His eyes look through ours, like a distant island, his feather questions its contours and its inhabitants.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Musicians and actors carry and translate his moods. Music is his breath, his favorite language. Two violins, two brass instruments, a captain, an acrobat and a monkey are his crew.<\/p>\n

He walks in the urban landscape, observes, cleans, loves, tastes everything he finds.<\/p>\n

Improvisations and canevas (written scenes) appear and vanish throughout his journey.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Public space is used as scenery and contributes to the storyline:<\/p>

Walk-throughs or unusual places are explored by the giant puppet.<\/p>

The Man Bird has a fragmented memory:<\/p>

The confusion in which he stands, between present time and chimerical memories overwhelms him and merges.<\/p>

He is also unaware of his deformity:<\/p>

He thinks he is a passerby among others.<\/p>

The audience does not only witness the journey, it is a true part of the puppet's adventures.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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DROITS D’AUTEUR ET DE REPRODUCTION<\/strong><\/em><\/p>

Notre compagnie cr\u00e9\u00e9 des spectacles qui demandent du temps, de l\u2019\u00e9nergie, de l\u2019imagination et le travail de<\/em> nombreux artistes. Chaque mise en sc\u00e8ne, chaque chor\u00e9graphie, chaque texte et chaque visuel fait partie d\u2019une \u0153uvre originale. \u00c0 ce titre, ils sont prot\u00e9g\u00e9s par le droit d\u2019auteur.<\/em><\/div>
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En tant que cr\u00e9ateurs, nous d\u00e9tenons l\u2019ensemble des droits li\u00e9s \u00e0 ces \u0153uvres :<\/em><\/div>
le concept, les sc\u00e9narii, les marionnettes, les costumes, les syst\u00e8mes son, la musique et tout autre contenu des spectacles que nous<\/em> pr\u00e9sentons<\/em><\/div>
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Cela signifie que nous sommes les seuls \u00e0 pouvoir autoriser ou refuser leur reproduction, qu\u2019elle soit partielle ou totale. Cette<\/em> protection existe pour pr\u00e9server l\u2019int\u00e9grit\u00e9 artistique de nos spectacles, mais aussi pour garantir que le travail des \u00e9quipes soit respect\u00e9.<\/em><\/div>
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Toute reproduction, diffusion ou utilisation non autoris\u00e9e de nos contenus n\u2019est donc pas permise. Cela inclut les captations vid\u00e9o ou audio, la reproduction de textes, d\u2019images, d\u2019extraits sc\u00e9niques ou de tout autre<\/em> \u00e9l\u00e9ment artistique issu de nos spectacles.<\/em><\/div>
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Si vous souhaitez utiliser un contenu, en partager un extrait ou obtenir un droit sp\u00e9cifique, nous vous<\/em> invitons \u00e0 nous contacter. Nous \u00e9tudierons chaque demande avec attention, dans le respect de nos cr\u00e9ations et de leurs auteurs.<\/em><\/div>
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Merci de contribuer, par votre respect de ces r\u00e8gles, \u00e0 soutenir le travail artistique et \u00e0 permettre \u00e0 nos projets de continuer \u00e0 vivre.<\/em><\/div>
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***<\/div>
Copyright and Protection of Our Creative Work<\/strong><\/em><\/div>
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Our company creates performances that require time, energy, imagination, and the work of many<\/em> artists. Each staging, choreography, text, and visual element is part of an original work. As such, it is protected by copyright.<\/em><\/div>
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As creators, we hold all rights related to these works : puppets, costums, musics, sound system, and all parts of performances.<\/em><\/div>
This means we are the only ones who can authorize or refuse their reproduction, whether partial or complete. This protection exists to preserve the artistic integrity of our performances and to ensure that the work of our teams is respected.<\/em><\/div>
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Any reproduction, distribution, or use of our content without authorization is therefore not permitted. This includes video or audio recordings, reproduction of texts, images, stage excerpts, or any other artistic material from our performances.<\/em><\/div>
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If you wish to use content, share an excerpt, or request specific permission, please contact us. We will review each request with care, in respect of our creations and their authors.<\/em><\/div>
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Thank you for supporting our artistic work by respecting these rules and helping our projects<\/em> continue to grow.<\/em><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

L’Homme Oiseau et son Chim\u00e8re Orchestra L’Homme Oiseau et son Chim\u00e8re Orchestra Hybride malencontreux entre un homme et une autruche, ce personnage facteur, po\u00e8te voyageur, n’appartient \u00e0 aucun monde. Ses yeux scrutent le n\u00f4tre, comme une \u00eele lointaine, sa plume en interroge les contours et les habitants. Hybride malencontreux entre un homme et une autruche, … <\/p>\n

Read more \u00ab\u00a0L’Homme Oiseau\u00a0\u00bb<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-357","page","type-page","status-publish","hentry"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/demainonchangetout.fr\/en\/wp-json\/wp\/v2\/pages\/357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/demainonchangetout.fr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/demainonchangetout.fr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/demainonchangetout.fr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/demainonchangetout.fr\/en\/wp-json\/wp\/v2\/comments?post=357"}],"version-history":[{"count":3,"href":"https:\/\/demainonchangetout.fr\/en\/wp-json\/wp\/v2\/pages\/357\/revisions"}],"predecessor-version":[{"id":1348,"href":"https:\/\/demainonchangetout.fr\/en\/wp-json\/wp\/v2\/pages\/357\/revisions\/1348"}],"wp:attachment":[{"href":"https:\/\/demainonchangetout.fr\/en\/wp-json\/wp\/v2\/media?parent=357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}